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The Real Thing

Play

Overview

Synopsis

Taking place in London in the 1980s, The Real Thing focuses on the passionate but never fully satisfying love between Henry (a playwright) and Annie (an actress). When they start an affair Henry is already married to Charlotte and Annie is married to Max. Soon they both divorce their partners and marry each other. Unfortunately, this new relationship still does not ultimately fulfill their needs.

Meanwhile, Annie is devoted to freeing Brodie, a Scottish soldier imprisoned for burning a memorial wreath during a protest. She is the reason he committed the crime in the first place, and subsequently feels responsible for his imprisonment. She encourages Brodie to write an autobiographical play in the hopes that it will cause his story to become a political movement, and recruits a reluctant Henry to help ghostwrite.

And through it all, Henry tries to handle the growing cynicism of his teenage daughter, Debbie. He also attempts to understand the reasons that his first marriage fell apart in an effort to save his second. The Real Thing explores the themes of marriage, infidelity, and honesty with a fresh and quick-witted comedic style. The play examines both the pain and passion that love can bring into peoples' lives.

Show Information

Category
Play
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
2
First Produced
1982
Genres
Drama, Comedy
Settings
Contemporary, Multiple Settings
Time & Place
london, present
Cast Size
small
Licensor
Ideal For
Community Theatre, Ensemble Cast, Mostly Male Cast, Professional Theatre, Regional Theatre, Includes Adult, Young Adult, Late Teen Characters, Small Cast

Characters

Character Portrayals

See StageAgent members who have performed roles in The Real Thing.

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Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    A type of performance or script that draws directly from the playwright’s or actor’s personal life and experiences.

    A form of self-referential drama where the play draws attention to its own theatricality. This device challenges the audience’s suspension of disbelief and is used in Epic Theatre and postmodern works.

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