
Overview
Synopsis
In a modern reimagining of the Christmas story, Daniel David Moses continues the story of one Indigenous family in the second play of his four-part City series. At the end of Coyote City, Lena disappeared into the city night with a charismatic prostitute, much to the dismay of her mother and sister, Boo. They have remained in the city and are staying with Boo and Lena’s aunt and uncle, Barbara and Jack. Boo has been out looking for Lena, but her efforts have been in vain so far. However, Lena’s sudden arrival on Christmas Eve throws the household into chaos, especially as she is in labor with a seemingly miraculous child. As Lena gives birth to a baby in the bathroom, Jack tries to get his head around the situation, while protecting his property from a quirky street kid who knows how to make the best out of a bad situation. Farcical, energetic, and deeply moving, Big Buck City documents the survival of an Indigenous family in a materialistic, fast-moving city.
Show Information
- Book
- Daniel David Moses
- Category
- Play
- Age Guidance
- Mature Audiences (M)
- Number of Acts
- 2
- First Produced
- 1991
- Genres
- Farce, Comedy
- Settings
- Unit/Single Set
- Time & Place
- Christmas Eve, A renovated house in an old part of the city, Canada, 1991
- Cast Size
- small
- Ideal For
- College/University, Diverse Cast, Regional Theatre, Mostly Female Cast, Includes Adult, Mature Adult, Late Teen, Young Adult Characters, Small Cast
Context
Plot
Characters
Name | Part Size | Gender | Vocal Part |
---|---|---|---|
Lead |
Female |
Non-singer |
|
Lead |
Male |
Non-singer |
|
Supporting |
Female |
Non-singer |
|
Supporting |
Male |
Non-singer |
|
Supporting |
Female |
Non-singer |
|
Supporting |
Female |
Non-singer |
Songs
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
Refers to Indigenous peoples, especially in Australia; their traditions are honored in contemporary World Theatre.
Indigenous peoples of Canada, whose oral storytelling and ceremonial practices contribute richly to contemporary theatre.
Refers to the original peoples of a region; their performance traditions often include ritual, storytelling, and dance.
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