Overview
Synopsis
King John holds the throne of England illegitimately, having stolen it from the rightful heir, his nephew Arthur. Supported by his powerful mother, Queen Elinor, John decides to go to war with France. Arthur's mother, Constance, has convinced Lewis, the Dauphin of France, to back Arthur. The armies meet outside Angiers, and, for a long time, whether negotiating or fighting, there is no clear victor. Finally, England wins the day, and Arthur is captured. He is taken back to England, where King John orders him murdered, but Arthur's executioner can't kill the boy. Instead, Arthur, in an attempt to escape, falls to his death. King John is crushed; he had changed his mind about killing the young duke, and the boy's death takes a lot out of him. The Church, then, excommunicates King John, who is told that he must submit to Rome or lose his crown. The Pope orders the armies to stand down after King John pledges his allegiance to Rome, but neither the French nor the English go home. They fight, and England wins a glorious victory. King John enjoys brief good favor, but soon after, he is poisoned to death.
Show Information
- Book
- William Shakespeare
- Category
- Play
- Age Guidance
- Thirteen Plus (PG-13)
- Number of Acts
- 5
- First Produced
- 1596
- Genres
- Drama, Historical/Biographical
- Settings
- Period, Multiple Settings
- Time & Place
- Medieval England and France
- Cast Size
- large
- Orchestra Size
- None
- Dancing
- None
- Licensor
- None/royalty-free
- Ideal For
- College/University, Professional Theatre, Regional Theatre, Large Cast, Mostly Male Cast, Star Vehicle Male, Includes Child, Early Teen, Mature Adult, Adult, Young Adult, Late Teen Characters
Context
The historical King John (1166-1216) is one of the most maligned rulers in European history. When he was crowned king in 1199 (following his brother Richard the Lionheart’s death), large factions of England and France did not recognize his claim to the throne. Instead, they backed Prince Arthur, the son of John’s older (and deceased) brother Geoffrey. To strengthen his rule over England and parts of France, John annulled his marriage to Isabella of Gloucester and married Isabella of Angoulême.
to read the context for King John and to unlock other amazing theatre resources!Plot
ACT ONE
A French ambassador named Chatillon arrives at the English court, greeted by King John and his mother Queen Elinor. The ambassador’s message is simple: The French king demands the English throne for Prince Arthur, the orphaned son of John’s older brother Geoffrey (who died several years before). The claim is rejected; Elinor suspects that Arthur’s mother Constance is involved in this power play.
Two brothers enter, both claiming the rights to their father’s inheritance. Robert
to read the plot for King John and to unlock other amazing theatre resources!Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
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Lead |
Male |
Non-singer |
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Lead |
Male |
Non-singer |
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Supporting |
Female |
Non-singer |
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|
Supporting |
Male |
Non-singer |
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Supporting |
Male |
Non-singer |
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|
Supporting |
Male |
Non-singer |
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|
Supporting |
Male |
Non-singer |
|
|
Supporting |
Male |
Non-singer |
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|
Supporting |
Male |
Non-singer |
|
|
Supporting |
Female |
Non-singer |
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|
Supporting |
Male |
Non-singer |
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|
Supporting |
Male |
Non-singer |
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|
Featured |
Male |
Non-singer |
|
|
Featured |
Female |
Non-singer |
|
|
Featured |
Female |
Non-singer |
|
|
Featured |
Male |
Non-singer |
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|
Featured |
Male |
Non-singer |
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|
Featured |
Male |
Non-singer |
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|
Featured |
Male |
Non-singer |
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|
Featured |
Male |
Non-singer |
|
|
Featured |
Male |
Non-singer |
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|
Featured |
Male |
Non-singer |
|
|
Ensemble |
Male |
Spoken |
Songs
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
An 'alarum' is a stage direction or sound cue, typically indicating a battle, fight, or disturbance offstage. It was frequently used in English Renaissance drama to signal chaos or action without showing it directly.
Queen of England whose reign supported the flourishing of English Renaissance theatre and the works of Shakespeare.
Relating to the reign of Queen Elizabeth I, marked by flourishing English drama and playwrights like Shakespeare and Marlowe.
A large format publication of plays, including the First Folio of Shakespeare, significant to theatre history.
A dramatic genre that dramatizes historical events, especially English history, as seen in Shakespeare’s plays.
The inheritance system favoring firstborn sons, often dramatized in historical or conflict-driven theatre.
A speech delivered by a character alone on stage, revealing inner thoughts or emotions to the audience. Common in Shakespearean plays.
Videos
Quizzes
Themes, Symbols & Motifs
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Quote Analysis
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Guide Written By:
Cindi Calhoun
Theatre teacher, director, writer, and seamstress