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Fires in the Mirror

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Overview

Synopsis

On August 19, 1991, in the Crown Heights neighborhood of Brooklyn, New York, a Hasidic man’s car ran a red light, hit another car, and swerved onto the sidewalk killing Gavin Cato, a seven-year-old Black boy, and seriously injuring his cousin Angela. Later that night, in what appeared to have been an act of retaliation, Yankel Rosenbaum, a Hasidic rabbinical student, was stabbed and killed by members of the Black community. The ensuing riots that lasted three days wracked the previously tolerant diverse community of Crown Heights and made national headlines pointing to the ever present fiction in racial and cultural relationships across America. Drawing verbatim from a series of over 50 interviews with residents of Crown Heights as well as politicians, activists, religious leaders, and gang members on both sides, Anna Deavere Smith created a theatrical event to tell the story through the eyes of 26 of the incident’s survivors. Their voices speak to every American regardless of race, color, or beliefs. Fires in the Mirror is part of a series of solo pieces created and performed by Anna Deavere Smith entitled “On the Road: A Search for American Character” and received the Drama Desk Award for Outstanding One-Person Show in 1993.

Show Information

Conceived By
Category
Play
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
1
First Produced
1992
Genres
Drama, Historical/Biographical
Settings
Simple/No Set, Multiple Settings, Contemporary
Time & Place
Crown Heights, Brooklyn following the 1991 Crown Heights Conflict
Cast Size
small
Orchestra Size
None
Dancing
None
Ideal For
College/University, Community Theatre, Diverse Cast, Ensemble Cast, Mature Audiences, Large Cast, Professional Theatre, Regional Theatre, High School, Small Cast, Includes Adult, Mature Adult Characters

Characters

Character Portrayals

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Monologues

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Key Terms

    A genre that dramatizes real-life events using interviews, transcripts, and factual materials.

    A formal or informal meeting used in casting or academic settings to evaluate an artist's experience, goals, or fit for a program or role. Interviews may accompany auditions or applications, providing additional context for decision-makers.

    A short play presented in a single act without intermission, ideal for festivals, student productions, or concise storytelling.

    A form of documentary theatre that uses exact words from interviews and transcripts to portray real-life events on stage.

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