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Overview

Synopsis

A Woman of No Importance satirizes upper-class English society at the end of the nineteenth century. It takes place, for the most part, in the homes of the rich and powerful, where Lord, Ladies, and Archdeacons socialize and gossip about their contemporaries. The play opens in the garden of the Hunstanton estate, where Lady Caroline Pontefract, an overbearing snob, is holding court and patronizing Hester Worsley, a wealthy young American visiting England for the first time. As Hester reveals her admiration of Gerald Arbuthnot, a young clerk, he enters excitedly to tell them that he has been made Lord Illingworth’s secretary. Lady Hunstanton is pleased for Gerald and invites his mother to join their party at the estate. A witty and flirtatious man of means, Lord Illingworth flirts with the quick-witted Mrs. Allonby and accepts her challenge to make Hester fall in love with him. However when Gerald’s mother, Mrs. Arbuthnot, enters, Lord Illingworth is shocked to discover that she is his ex-lover. It is revealed that Lord Illingworth seduced Mrs. Arbuthnot when they were both young but refused to marry her when she fell pregnant with Gerald. Gerald is frustrated with his mother’s obvious dislike of Lord Illingworth and his job offer, but she refuses to disclose the reasons for her feelings. Knowing that her son is in love with Hester, but also knowing Hester’s puritan views on the sin of an unmarried mother, Mrs. Arbuthnot decides to subtly reveal the story of Gerald’s conception in the third person. When Hester rushes to tell Gerald that Lord Illingworth tried to kiss her, Gerald threatens to attack his new employer, until Mrs. Arbuthnot declares that Lord Illingworth is, in fact, his father.

In shock the next day, Gerald writes a letter to his father, asking him to marry his mother. He has also decided to turn down Lord Illingworth’s offer to become his secretary. However, Mrs. Arbuthnot tells Gerald that she will not make a mockery of her life by marrying Lord Illingworth now. Hester overhears their conversation and, realizing that the law of God is love above all things, supports Mrs. Arbuthnot’s decision. She also tells Gerald and his mother that she wants to use her wealth to look after them both. When Lord Illingworth arrives, he offers to marry Mrs. Arbuthnot and accept Gerald as his son, but he is quickly rebuffed by his former lover. Instead, Mrs. Arbuthnot tells him that she hates him and could never marry him. Lord Illingworth acknowledges that their former relationship meant nothing to him, flippantly calling Mrs. Arbuthnot his mistress and causing her to slap him with his own glove. Left alone, Mrs. Arbuthnot calls for Gerald and Hester and asks her future daughter-in-law to accept her as a mother. Gerald sees the glove on the floor and asks who just visited, but his mother merely replies, “a man of no importance”.

Show Information

Category
Play
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
4
First Produced
1893
Genres
Drama, Comedy, Parody
Settings
Multiple Settings
Time & Place
england, 1890s
Cast Size
large
Licensor
None/royalty-free
Ideal For
College/University, Community Theatre, Regional Theatre, Mostly Male Cast, Includes Adult, Young Adult, Late Teen, Mature Adult, Elderly Characters, Large Cast

Context


Plot


Characters

Name Part Size Gender Vocal Part

Lord Illingworth

Lead

Male

Spoken

Mrs. Rachel Arbuthnot

Lead

Female

Spoken

Gerald Arbuthnot

Lead

Male

Spoken

Mrs. Allonby

Supporting

Female

Spoken

Lady Jane Hunstanton

Supporting

Female

Spoken

Lady Caroline Pontefract

Supporting

Female

Spoken

Lady Stutfield

Supporting

Female

Spoken

Mr. Kelvil

Supporting

Male

Spoken

Sir John Pontefract

Supporting

Male

Spoken

The Ven. Archdeacon Daubery, D.D.

Supporting

Male

Spoken

Lord Alfred Rufford

Supporting

Male

Spoken

Miss Hester Worsley

Supporting

Female

Spoken

Farquhar

Featured

Male

Spoken

Francis

Featured

Male

Spoken

Alice

Featured

Female

Spoken

Songs

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A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    A set of principles concerned with the nature and appreciation of beauty.

    A type of comedy, popular in the English Restoration, that made fun of social norms and mores.

    An imitation of the style of a particular writer, artist, situation, or genre with deliberate exaggeration for comic effect.

    Description of material not protected by copyright law.

    A religious reform movement in the late 16th and 17th centuries that sought to “purify” the protestant Church of England of remaining elements of the Roman Catholic Church.

    A form of comedy that presents ridiculous extremes in order to make a point about society or human nature.

    Relating to the reign of Queen Victoria (1837-1901) or a person who lived in the Victorian era.

    Wit

    A natural aptitude for using words and ideas in a quick and inventive way to create humor.

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Themes, Symbols & Motifs

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Quote Analysis

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Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher