Overview

Synopsis

Often lauded as one of the most structurally perfect comedies ever written and beloved by audiences for generations, Twelfth Night; or, What You Will is a masterpiece. Shipwrecked on the shores of the strange land, Illyria, Viola believes herself alone in the world and her twin brother drowned. Disguising herself as a boy to work in the court of Illyria’s Count Orsino, Viola discovers her male disguise has proven all too effective: Orsino sends her as a go-between in his persistent love-suit to the unresponsive Olivia. Even as Viola sues for Olivia’s love on Orsino’s behalf, Viola falls in love with Orsino herself. What ensues is a cross-dressing comedy rife with pain and triumph, humor and madness, transformation and redemption.

Show Information

Category
Play
Age Guidance
Youth (Y)/General Audiences (G)
Number of Acts
5
First Produced
1602
Genres
Comedy
Settings
Multiple Settings, Period
Time & Place
the imaginary kingdom of illyria, time unknown
Cast Size
large
Licensor
None/royalty-free
Ideal For
College/University, Ensemble Cast, Large Cast, Professional Theatre, Regional Theatre, Star Vehicle Female, Mostly Male Cast, Includes Young Adult, Adult, Mature Adult Characters

Context

Plot

Characters

Name Part Size Gender Vocal Part

Orsino

Lead

Male

Spoken

Viola

Lead

Female

Non-singer

Malvolio

Lead

Male

Spoken

Olivia

Lead

Female

Non-singer

Sir Toby Belch

Lead

Male

Spoken

Sebastian

Supporting

Male

Spoken

Antonio

Supporting

Male

Spoken

Feste

Supporting

Male

Spoken

Maria

Supporting

Female

Spoken

Sir Andrew Aguecheek

Supporting

Male

Spoken

Fabian

Supporting

Male

Spoken

Curio

Featured

Male

Spoken

Valentine

Featured

Male

Spoken

Sea Captain

Featured

Male

Non-singer

Priest

Featured

Male

Non-singer

Servant

Featured

Either or Both

Spoken

Sailors

Ensemble

Male

Non-singer

Officers

Ensemble

Male

Non-singer

Musicians

Ensemble

Either or Both

Spoken

Attendants

Ensemble

Either or Both

Silent

Songs

Sorry, we currently do not have content for this section.

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

All monologues are the property and copyright of their owners.. Monologues are presented on StageAgent for educational purposes only. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor.

Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    A poetic or formal farewell often used in classical and period drama to underscore emotion or finality.

    An alter ego is a second self or alternate personality that differs from a character’s outward persona. In drama, it can be used as a dramatic device to explore internal conflict or duality.

    An Italian theatrical form featuring masked stock characters, improvisation, and physical comedy, influential in modern comedy and clowning.

    Relating to the reign of Queen Elizabeth I, marked by flourishing English drama and playwrights like Shakespeare and Marlowe.

    A term in classical medicine and drama referring to bodily fluids that affect temperament; also used to mean comedy. This term plays a vital role in understanding theatrical structure and is commonly encountered in stagecraft or performance settings.

    A poetic meter consisting of five iambs per line, widely used in English Renaissance drama by playwrights like Shakespeare.

    A designated spot on the stage where an actor is to stand, aiding consistency and lighting accuracy during performances. Hitting one's mark is crucial for blocking and technical alignment.

    A dramatic work that includes incidental music or songs, but is not classified as a full musical. Music supports mood and storytelling without dominating the narrative.

    An old-fashioned word used to politely request or implore, frequently seen in Shakespearean dialogue.

    An archaic contraction of 'I pray thee,' used in English Renaissance plays to make polite requests or appeals. It conveys period formality and is frequently seen in Shakespearean dialogue.

    A speech delivered by a character alone on stage, revealing inner thoughts or emotions to the audience. Common in Shakespearean plays.

    Recognizable character types used across theatrical traditions, such as the fool, villain, or ingenue.

    Describes love or affection not returned or reciprocated, a common theme in classical and romantic drama.

    A poetic word for 'face,' often used in classical theatre to describe appearance or emotion.

Videos

Quizzes

Themes, Symbols & Motifs

Sorry! We do not currently have learning modules for this guide.

Quote Analysis

Sorry! We do not currently have learning modules for this guide.

Guide Written By:

Alexandra Appleton

Alexandra Appleton

Writer, editor and theatre researcher