
Overview
Synopsis
The second of Sean O’Casey’s Dublin plays, Juno and the Paycock tells the story of the Boyle family in the grim slums of Dublin in the early 1920s. Juno, the mother of the family (and the only member who works), desperately tries to hold her family together in the face of adversity and misfortune. However her husband, Jack Boyle, would rather spend his time drinking with his persuasive pal, Joxer, than try to look for work and help the family. When Jack learns that the family is to come into an inheritance, he eagerly anticipates their new found wealth and borrows money from everyone around him to flaunt their new incoming fortune.
However, the news of the family’s financial prosperity is short-lived as it emerges that law student, Charlie Bentham, has mistakenly drafted the will in such a way that all of Jack’s cousins have a right to claim their share of the money, leaving very little left for the Boyle family. Bentham flees, leaving Juno and Jack’s daughter, Mary, pregnant with nowhere to turn and the family are destitute once more. When the couple’s son, Johnny, is dragged away and murdered by the Republican soldiers for betraying one of their own, the last nail in the family coffin is sealed. Juno decides to leave her husband and seek a better life with Mary. Tragically, rather than face his demons, Jack Boyle retreats into an alcoholic haze, blocking out the misery of his impoverished, lonely reality.
Show Information
Context
Sean O'Casey's Juno and the Paycock emerged from his deep immersion in the gritty realities of working-class Dublin life, drawing directly from his own impoverished upbringing in the city's tenements after his father's early death in 1886, which shaped his socialist leanings and participation in events like the 1913 Dublin Lockout (a major industrial dispute between works and employers). Written in 1924 as the second installment of his "Dublin Trilogy"—following [*The Shadow of a
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Characters
Name | Part Size | Gender | Vocal Part |
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Lead |
Female |
Non-singer |
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Lead |
Male |
Non-singer |
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Supporting |
Male |
Non-singer |
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Supporting |
Female |
Non-singer |
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Supporting |
Male |
Non-singer |
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Supporting |
Female |
Non-singer |
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Supporting |
Male |
Non-singer |
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Supporting |
Male |
Non-singer |
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Featured |
Female |
Spoken |
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Featured |
Male |
Spoken |
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Ensemble |
Either Gender |
Spoken |
Songs
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
The Abbey Theatre is Ireland’s national theatre, founded in Dublin in 1904 by W.B. Yeats and Lady Augusta Gregory. It became a central hub for Irish cultural identity and the Irish Literary Revival. The theatre continues to promote new Irish plays and dramatists
A dramatic event involving a political or symbolic killing, often central to tragedy or historical plays.
A recurring theme in historical drama, particularly reflecting internal conflict, loyalty, and national identity.
Short for Irish Republican Army, often referenced in plays centered on Irish history, identity, or conflict, especially The Troubles.
A group of three connected dramatic works that develop a theme or narrative across multiple performances.
Videos
Quizzes
Themes, Symbols & Motifs
THEMES
Poverty
Poverty is a central and
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_"Oh, he'll come in when he likes; struttin' about the
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