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Context
Billy Brown is in his library late one night when his chief draftsman and rival Dion arrives at his door drunk and looking for a fight. After seven years of working alongside Billy at his architecture firm, Dion has grown tired of Billy getting all the credit for his artful designs, and he’s ready to confront him. The argument quickly turns personal, as the two men begin to re-hash their personal failings and flaws, and their complicated relationships with the two women in their lives: Dion’s
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(Brown sits in the chair at left reading an architectural periodical. His expression is composed and gravely receptive. In outline, his face suggests a Roman consul on an old coin. There is an incongruous distinction about it, the quality of unquestioning faith in the finality of its achievement.
There is a sudden loud thumping on the front door and the ringing of the
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