Overview
Synopsis
Anaïs Mitchell breathes fresh, new life into classic mythology with her folk musical Hadestown. Orpheus, a passionate and talented musician, and Eurydice, an independent and resilient young woman, fall in love at first sight, as though it was--and perhaps is--destined by The Fates. Though neither has much to their name, Orpheus is determined that love will see them through anything. Their love blossoms in spring and flourishes in summer, but is tested when autumn and hardship come. Hardship breeds doubt and difficult choices must be made. When Eurydice unknowingly signs away her soul to Hades, master of the factory Hadestown, Orpheus is prepared to venture to hell and back, armed with nothing but his music and his love, to bring her home once more. Set to Mitchell’s gorgeous folk-rock score, Hadestown tells a poignant, vibrant story of love that manages, even amongst tragedy, to find hope.
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Context
Hadestown was created by singer-songwriter Anaïs Mitchell. The folk-opera was first staged in 2006 in the cities of Barre and Vergennes in Mitchell’s home state of Vermont, followed by a tour through ten cities in Vermont and Massachusetts in 2007. In 2010, Hadestown was released as a concept album featuring Mitchell as Eurydice, Justin Vernon (of indie band Bon Iver) as Orpheus, Ani DiFranco as Persephone, Ben Knox Miller (of indie band The Low Anthem) as Hermes, Greg Brown as Hades, and
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ACT ONE
The world is a bleak, post-apocalyptic landscape, their town similar to small rural community hit hard by the Great Depression. The god Hermes, narrator of this tale, takes the stage to tell the old, sad song of Orpheus and Eurydice. He introduces the main players of the story: Orpheus, Hermes’ ward, a young romantic musician; Persephone, wife of Hades, ready to jump off the train in town “with a suitcase full of summertime”; and The Fates, three women who see and know all,
to read the plot for Hadestown and to unlock other amazing theatre resources!Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
|
Lead |
Male |
Tenor |
|
|
Lead |
Female |
Mezzo-Soprano, Alto |
|
|
Lead |
Male |
Bass |
|
|
Lead |
Female |
Mezzo-Soprano, Alto |
|
|
Supporting |
Male |
Tenor, Baritone |
|
|
Supporting |
Female |
Soprano, Mezzo-Soprano, Alto |
|
|
Ensemble |
Either Gender |
Soprano, Mezzo-Soprano, Alto, Tenor, Baritone, Bass, Bass-Baritone |
Songs
Act One
Act Two
A song with an asterisk (*) before the title indicates a dance number.
Monologues
Scenes
Key Terms
A ballad is a song style that tells a story through simple, lyrical verses and a steady rhythm. In theatre, ballads are often slow and emotional, allowing characters to reveal deep feelings or reflect on personal journeys. They can be used to highlight romance, longing, or moments of dramatic intensity.
A powerful, resonant singing technique used in musical theatre to project high notes with chest voice.
The art of designing and arranging movement sequences for theatrical dance and physical storytelling.
Traditional music that tells stories of everyday life and struggles, frequently featured in historical and cultural dramas.
A body of traditional stories involving gods, heroes, and creation myths. Mythology provides inspiration for characters and narratives in global theatre traditions.
A character or voice that tells part of the story, offering commentary or background. Narrators are frequently used in children’s theatre and epic productions.
A musical format where all dialogue is sung, creating continuous musical storytelling without spoken scenes.
Videos
Quizzes
Themes, Symbols & Motifs
THEMES
Love and Doubt
In Hadestown, the
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