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Overview

Synopsis

This tragic tale revolves around the young Japanese geisha, Cio-Cio San. She is to be married to Benjamin Pinkerton, an American Officer on assignment in Nagasaki. Cio-Cio San is young, naive, and totally in love with Pinkerton; who gives her the pet name 'Butterfly'. She believes she has married the man of her dreams, and is committed to being with him forever, despite the warnings from her family that he is likely to leave her and return to America. Her family are right to be worried, as Pinkerton openly expresses his intention to marry an American when he returns home, and even leaves a clause in his wedding vows with Cio-Cio San.

For three years, Butterfly waits for Pinkerton to return, and cares for their son. Finally, she sees his ship approaching the harbor, but it is not the happy reunion Butterfly expected. Pinkerton has returned with his new American wife, intending to take his son back to America. Butterfly agrees to give up her child, but rather than live with the shame, she decides to kill herself and protect her honor.

Show Information

Based on the Play/Book/Film
Madame Chrysantheme by Pierre Loti
Category
Opera
Age Guidance
Thirteen Plus (PG-13)
Number of Acts
3
First Produced
1904
Genres
Drama, Tragedy
Settings
Period, Unit/Single Set
Time & Place
Nagasaki, Japan, 20th century
Cast Size
large
Orchestra Size
Large
Dancing
None
Licensor
None/royalty-free
Ideal For
Professional Opera, Star Vehicle Female, Star Vehicle Male, Mostly Male Cast, Includes Adult, Mature Adult, Young Adult, Elderly, Child, Late Teen Characters, Large Cast

Context

Plot

Characters

Name Part Size Gender Vocal Part

Cio-Cio-San (Madama Butterfly)

Lead

Female

Soprano

Suzuki

Lead

Female

Mezzo-Soprano

Pinkerton

Lead

Male

Tenor

Sharpless

Lead

Male

Baritone

Goro

Supporting

Male

Tenor

Prince Yamadori

Featured

Male

Tenor, Baritone

The Imperial Commissioner

Featured

Male

Bass

Kate Pinkerton

Featured

Female

Mezzo-Soprano

The Bonze

Featured

Male

Bass

The Official Registrar

Featured

Male

Bass, Baritone

Yakuside

Featured

Male

Bass

The Mother

Featured

Female

Mezzo-Soprano, Soprano

The Aunt

Featured

Female

Soprano

The Cousin

Featured

Female

Soprano

Dolore / Sorrow

Featured

Male

Silent

Chorus

Ensemble

Either Gender

Soprano, Mezzo-Soprano, Contralto, Tenor, Baritone, Bass

Songs

Act One

  • 'E soffitto e pareti' - Pinkerton, Goro
  • 'Questa è la cameriera' - Goro, Pinkerton, Suzuki
  • 'Che guardi? ... Se non giunge ancor la sposa' - Pinkerton, Goro, Sharpless
  • 'Dovunque al mondo' - Pinkerton, Sharpless, Goro
  • 'Quale smania vi prende?' - Sharpless, Pinkerton
  • 'Ecco! Son giunte al sommo del pendio' - Goro, Chorus, Butterfly, Sharpless
  • 'Gran ventura' - Butterfly, Chorus, Pinkerton, Sharpless, Goro
  • 'L'imperial commissario' - Goro, Pinkerton, Chorus, Butterfly, Sharpless
  • 'Vieni, amor mio!' - Pinkerton, Butterfly, Goro
  • 'Ieri son salita tutta sola' - Butterfly
  • 'Tutti zitti! ... È concesso al nominato' - Goro, Commissioner, Chorus, Butterfly, Pinkerton, Sharpless, Official Registrar
  • 'Ed eccoci in famiglia' - Pinkerton, Chorus, Bonze, Butterfly, Suzuki
  • 'Bimba, bimba, non piangere' - Pinkerton, Chorus, Butterfly, Suzuki
  • 'Viene la sera' - Pinkerton, Butterfly, Suzuki
  • 'Quest'obi pomposa' - Butterfly, Pinkerton
  • 'Bimba dagli occhi pieni di malia' - Pinkerton, Butterfly
  • 'Vogliatemi bene, un bene piccolino' - Butterfly, Pinkerton
  • 'Vieni, vieni!' - Pinkerton, Butterfly

Act Two

  • 'E Izaghi ed Izanami' - Suzuki, Butterfly
  • 'Suzuki, è lungi la miseria?' - Butterfly, Suzuki
  • 'Un bel dì vedremo' - Butterfly
  • 'C'è. Entrate' - Goro, Sharpless, Butterfly
  • 'Ah sì. Goro, appena B.F. Pinkerton fu in mare' - Butterfly, Goro, Yamadori, Sharpless
  • 'Si sa che aprir la porta' - Butterfly, Sharpless, Yamadori, Goro
  • 'Ora a noi' - Sharpless, Butterfly
  • 'Qui troncarla conviene' - Sharpless, Butterfly
  • 'E questo? E questo?' - Butterfly, Sharpless
  • 'Che tua madre dovrà' - Butterfly, Sharpless
  • 'lo scendo al piano' - Sharpless, Butterfly
  • 'Vespa! Rospo maledetto!' - Suzuki, Butterfly, Goro
  • 'Una nave da guerra' - Suzuki, Butterfly
  • 'Scuoti quella fronda di ciliegio' Butterfly, Suzuki
  • 'Or vienmi ad adornar' - Butterfly, Suzuki
  • Coro a bocca chiusa (The Humming Chorus) - Chorus

Act Three

  • 'Introduzione ... Oh eh! Oh eh! Oh eh!'- Chorus
  • 'Già il sole!' - Suzuki, Butterfly
  • 'Chi sia? Oh! ... Zitta! Zitta!' - Suzuki, Pinkerton, Sharpless
  • 'Io so che alle sue pene'- Sharpless, Pinkerton, Suzuki
  • 'Addio, fiorito asil' - Pinkerton, Sharpless
  • 'Glielo dirai?' - Kate, Suzuki, Butterfly
  • 'Tu, Suzuki, che sei tanto buona' - Butterfly, Suzuki, Sharpless, Kate
  • 'Come una mosca prigioniera' - Suzuki, Butterfly
  • 'Con onor muore’ - Butterfly
  • ‘Tu, tu, piccolo Iddio!’ - Butterfly

A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.

Monologues

All monologues are the property and copyright of their owners.. Monologues are presented on StageAgent for educational purposes only. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor.

Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

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Guide Written By:

Wendy Silvester

Wendy Silvester

Singer and vocal coach based in the UK.