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Recent Tragic Events

Play

Overview

Synopsis

In one of the first plays to deal directly with 9/11, Craig Wright explores free will versus determinism and the idea of random chance in this character-driven ensemble play. It’s the evening of September 12, 2001 in Minneapolis, Minnesota. A clearly uncomfortable Andrew arrives at Waverly’s apartment for what turns out to be an ill-timed blind date. Unsure of dating protocol in the aftermath of a national tragedy, the evening is made all the more colorful by Waverly’s odd neighbor Ron and his sort-of girlfriend, Nancy. As if that wasn’t enough, Waverly is anxiously awaiting news about her twin sister, who may have worked at the World Trade Center. Of course, the entire story could have just as easily played out entirely differently. So says the Stage Manager, the play’s metatheatrical device who solicits an audience member to do a coin toss that will ostensibly determine the outcome of the show. Moments in the story that could have turned out differently had the coin toss yielded a different result are indicated by the sound of a bell, but as the Stage Manager later reveals, the story isn’t as dictated by random chance as we think. Recent Tragic Events is a philosophical, if not quirky, response to the existential questions raised in the aftermath of 9/11.

Show Information

Category
Play
Age Guidance
Mature Audiences (M)
Number of Acts
2
First Produced
2002
Genres
Drama, Comedy
Settings
Contemporary, Unit/Single Set
Time & Place
An apartment in Minneapolis., September 12, 2001.
Cast Size
small
Orchestra Size
None
Dancing
None
Ideal For
College/University, Community Theatre, Ensemble Cast, Small Cast, Includes Adult, Young Adult Characters

Characters

Character Portrayals

See StageAgent members who have performed roles in Recent Tragic Events.

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Monologues

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Scenes

All scenes are the property and copyright of their owners. Scenes are presented on StageAgent for educational purposes only. If you would like to give a public performance of this scene, please obtain authorization from the appropriate licensor.

Key Terms

    A performance technique where an actor speaks directly to the audience, breaking the fourth wall for dramatic or comedic effect.

    The imaginary wall separating the audience from the actors onstage, often 'broken' for direct address. This term plays a vital role in understanding theatrical structure and is commonly encountered in stagecraft or performance settings.

    A form of self-referential drama where the play draws attention to its own theatricality. This device challenges the audience’s suspension of disbelief and is used in Epic Theatre and postmodern works.

Videos

Quizzes

Guide Written By:

Kevan Dunkelberg

Kevan Dunkelberg

Oklahoma-based drama teacher, actor and playwright