
Overview
Synopsis
Jamie New is sixteen and lives on a council estate in Sheffield. However, Jamie is a little different to the other teenagers at his school. He harbors a secret dream: to be a drag queen! But first, he needs to find the confidence to be his true self beyond the walls of his home. Although Jamie is terrified about the future, he knows that, one way or another, he will be a sensation. He is supported every step of the way by his loving mum, Margaret, who would do anything for her boy. She tries to protect Jamie by keeping the truth about his father’s absence a secret, a decision that threatens her close-knit bond with her son. He also has the love and support of his best friend, Pritti, who reassures Jamie that his difference is what makes him beautiful. Despite the bullying, the prejudice, and the public humiliation, Jamie learns to embrace his inner queen--named Mimi Me--and step into the spotlight...his spotlight.
Show Information
- Book
- Tom MacRae
- Music
- Dan Gillespie Sells
- Lyrics
- Tom MacRae
- Based on the Play/Book/Film
- Jamie: Drag Queen at 16 by Jenny Popplewell
- Category
- Musical
- Age Guidance
- Thirteen Plus (PG-13)
- Number of Acts
- 2
- First Produced
- 2017
- Genres
- Comedy, Drama
- Settings
- Multiple Settings, Contemporary
- Time & Place
- Parson Cross (an area of Sheffield), England, Present Day
- Cast Size
- large
- Orchestra Size
- Medium
- Dancing
- Musical Staging
- Licensor
- Concord Theatricals
- Ideal For
- College/University, Diverse Cast, Large Cast, Professional Theatre, Regional Theatre, Star Vehicle Male, Mostly Male Cast, Includes Late Teen, Adult, Mature Adult Characters
Context
Everybody’s Talking About Jamie is a British musical inspired by the real-life story of Jamie Campbell, a teenager from Sheffield who wanted to attend his school prom in drag. His journey was first documented in a 2011 BBC documentary, which caught the attention of director Jonathan Butterell. Working with composer Dan Gillespie Sells of The Feeling and lyricist-book writer Tom MacRae, Butterell developed the idea into a musical blending pop sensibilities with heartfelt storytelling. The show
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Act One
The year 11 students are in the middle of their final careers lesson at Mayfield School in Sheffield. Their teacher, Miss Hedge, is (unsuccessfully) trying to hold the students’ attention, but they are more interested in chatting about what they’re doing on Friday night. Miss Hedge wants them to realize they need to have realistic expectations about what they will do after they leave school One student, Pritti, declares that she wants to be a doctor but none of the rest of the
to read the plot for Everybody's Talking About Jamie and to unlock other amazing theatre resources!Characters
Name | Part Size | Gender | Vocal Part |
---|---|---|---|
Lead |
Male |
Tenor |
|
Supporting |
Female |
Mezzo-Soprano |
|
Supporting |
Female |
Alto, Mezzo-Soprano |
|
Supporting |
Female |
Alto |
|
Supporting |
Male |
Baritone, Bass-Baritone |
|
Supporting |
Female |
Mezzo-Soprano |
|
Supporting |
Male |
Bass-Baritone, Baritone, Tenor |
|
Featured |
Female |
Soprano, Mezzo-Soprano, Alto |
|
Featured |
Female |
Soprano, Mezzo-Soprano, Alto |
|
Featured |
Female |
Soprano, Mezzo-Soprano, Alto |
|
Featured |
Female |
Soprano, Mezzo-Soprano, Alto |
|
Featured |
Male |
Tenor, Baritone, Bass-Baritone, Bass |
|
Featured |
Male |
Tenor, Baritone, Bass, Bass-Baritone |
|
Featured |
Male |
Tenor, Baritone, Bass, Bass-Baritone |
|
Featured |
Male |
Tenor, Baritone, Bass, Bass-Baritone |
|
Featured |
Male |
Tenor, Baritone, Bass, Bass-Baritone |
|
Featured |
Male |
Tenor, Baritone, Bass, Bass-Baritone |
|
Featured |
Male |
Tenor, Baritone, Bass, Bass-Baritone |
|
Featured |
Male |
Non-singer |
Songs
Act One
Act Two
A song with an asterisk (*) before the title indicates a dance number.
Monologues
Scenes
Key Terms
A version of a work modified from another medium or language, making it suitable for a new performance context.
A narrative song or poem often used in musical theatre and opera to convey story and emotion through melody.
The art of designing and arranging movement sequences for theatrical dance and physical storytelling.
Spoken interaction between characters in a play, used to reveal relationships, advance plot, and convey emotion.
A performance style where a performer adopts exaggerated gender expression, often for satire, art, or celebration.
A group of performers who function as a unit in a production rather than as individuals with leading roles.
A genre that centers LGBTQ+ characters and themes, challenging heteronormative narratives and celebrating diverse identities in performance.
A sentimental ballad about unrequited love, often featured in musicals or cabaret performances.
Wit in theatre refers to the quick, clever use of language to create humor or reveal deeper truths about characters and situations. It often relies on sharp wordplay, irony, or unexpected turns of phrase to keep audiences engaged. Wit is commonly found in comedies and serves both to entertain and to highlight human flaws in a lighthearted way.
Videos
Quizzes
Themes, Symbols & Motifs
THEMES
Identity
At its heart, _Everybody’s
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_"A boy in a dress is something to be laughed at. But
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