Overview
Synopsis
Prince Charles has spent his lifetime in a state of waiting. Since he was four years old, Charles has watched his father and mother rule, studied history, read, learned, and contemplated the type of king that he would become. Still, he has never had a chance to rule -- until now. In Mike Bartlett’s daring new play, King Charles III, the erstwhile prince finally receives his chance to ascend the British throne and rule. His idealism is put to the test almost immediately after his mother’s death. A new law has been passed by Parliament that will severely limit the freedom of press. The time has come for the king to sign off on the law, as tradition dictates, but Charles will not. He believes that it is his job as king to protect the rights of his people. Parliament sees this as a dogmatic violation the rights of his people. A political standoff ensues, one that causes the entire country to rethink the role of their sovereign, the freedom of press, the power of their elected officials, and idealism in a contemporary political landscape. Written in masterful blank verse, this Olivier award-winning “future” history play challenges the audience: what sway do ideals hold in the modern political world?
Show Information
- Book
- Mike Bartlett
- Category
- Play
- Age Guidance
- Youth (Y)/General Audiences (G)
- Number of Acts
- 5
- First Produced
- 2014
- Genres
- Drama
- Settings
- Multiple Settings, Simple/No Set, Unit/Single Set
- Time & Place
- london, england, the near future
- Cast Size
- large
- Licensor
- Dramatists Play Service
- Ideal For
- professional theatre, regional theatre, university / college theatre, Star Vehicle Male, Mostly Male Cast, Includes Mature Adult, Adult, Elderly, Young Adult Characters, Large Cast
Context
Plot
Characters
| Name | Part Size | Gender | Vocal Part |
|---|---|---|---|
|
Lead |
Male |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Female |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Female |
Spoken |
|
|
Supporting |
Female |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Male |
Spoken |
|
|
Supporting |
Female |
Spoken |
|
|
Featured |
Female |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Female |
Spoken |
|
|
Featured |
Either Gender |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Male |
Spoken |
|
|
Featured |
Female |
Spoken |
|
|
Ensemble |
Female |
Spoken |
|
|
Ensemble |
Either Gender |
Spoken |
Songs
A song with an asterisk (*) before the title indicates a dance number; a character listed in a song with an asterisk (*) by the character's name indicates that the character exclusively serves as a dancer in this song, which is sung by other characters.
Monologues
Scenes
Key Terms
Formally giving up the throne and royal titles.
Text in verse that does not rhyme.
A genre of play that is based on the narrative of true historical events and people, often considered a subgenre of tragedy.
A type of verse with ten syllables per line and syllables alternating between unstressed and stressed beats.
The fees paid to the originator (playwright, composer, etc.) of a work, as a part of or in addition to the licensing fees paid to the publisher or licensor.
An introduction to a song.
Videos
Quizzes
Themes, Symbols & Motifs
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Quote Analysis
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